Identity, Corporate Design, Webdesign, various promotional material, animation
2023
Siebdruck, Brander Siebdruck AG
Offset and Digital Print, Druckerei Lutz AG
Modem, Jonas Huber
Kunstmuseum / Kunsthalle Appenzell
Editorial Design, Art Direction
2022–
Seria (Fabio Menet, Data-Orbit)
Identity, various promotional material, animation, digital publication
2022
Damian Fopp (Museum für Gestaltung Zürich),
Katharina Weikl (Universität Zürich UZH)
Setaprint AG, Posters
Engelberger Druck AG, various promotional material
Peterman, Bold and Regular (Fabio Menet, Data-Orbit)
JJanon, Regular (François Rappo, Optimo)
Book design, Type Design, Editorial
2022
David Walsh
Lamina, Regular and Black (Fabio Menet, Data-Orbit)
Information Design and Corporate Design
2022
Akkurat (Laurenz Brunner, Lineto)
Arial (Patricia Saunders and Robin Nicholas, Monotype)
Camera/Edit/Photo: Elias Bötticher
Book design, Type Design, Editorial, Photography
2022
Lamina, Regular and Bold (Fabio Menet, Data-Orbit)
Gordula, Regular (Fabio Menet, Data-Orbit)
Identity, various promotional material, animation, signage
2022
David Walsh, graphic design and industrial design
Greta Grashorn, Tommy De Monaco, Stefan Kreysler
Brander Siebdruck, Grafitec (poster)
Engelberger Druck AG (other promotional material)
Werk Grotesk: Regular, Bold and Mono
(Fabio Menet, Data-Orbit)
Animation
2021
Larissa Kasper, Rosario Florio, Samuel Bänziger, Nicole Udry
Federal Office of Culture, Switzerland
Editing and Book Design
2021
Musée Visionnaire, Manuela Hitz
Nomination Swiss Design Awards 2021
Union Union, Johannes Gruber
Roy Bosier—a ballet dancer, fashion and costume designer, clown, pantomime artist, movement trainer, teacher, actor, choreographer, father and physiotherapist. The diversity of his life is also reflected in his rich private archive. A participatory publication engages the readers to get involved in the editing process. Gradually, the private archive of the portrayed is thereby enriched with anecdotes.
Editing, book design, web coding
2021
Musée Visionnaire, Manuela Hitz
Nomination Swiss Design Awards 2021
Identity, poster, various promotional material, animation
2021
The book borrows its structure from a classic manual. Ai Weiwei’s process is set in a narrative strand. Step by step, the reader is guided through the creation, manual and the subsequent reflection of the artwork. Through its linear narrative style, the art and working method become accessible and the viewer is directly involved in the project. Visually, existing manual elements are quoted and embedded in an art book context. The varnished “picture panels” are numbered in a way that is familiar from instruction manuals. In addition, material lists are combined with art photographs to emphasize the intertwining of the artwork and its building instruction.
Book design, illustration, type design
2020
Werk Grotesk, Bold (Fabio Menet, Data-Orbit)
Hornbach & Ai Waiwai
The Kengos Experimental Zone EPFL considers itself as a pioneering exhibition space at the intersection of art and technology. Everything that happens within its walls is new, loud and “dangerous” for established structures. The design embraces this approach by using the visual language of warning and road signs to communicate these values. By layering the graphic elements we create a toolset to specifically respond to its changing content. This results in an interpretative signage for each exhibition.
Identity, poster, various promotional material, animation, signage
2020
Neutral Zurich AG, Rudolf Schürmann, Michelle Nicol, Inna Schill and Liam Buffat
Knecht Medium/Black (Data-Orbit)
EPFL Pavillions
In their exhibition “HOWTO”, the Sitterwerk explores the production processes of instructional videos. The visual identity focuses on the linearity of such videos. In analogy to these linear processes, the content is arranged in sequences – moving objects become static whilst the medium of the videos is emphasised.
Identity, various promotional material, animation
2020
Julia Lütholf, Roland Früh
Knecht Grotesk Black und Regular
(Fabio Menet, Data-Orbit)
Webdesign, logo design, webcode
2021
Arial Crack, Bold
The challenge of creating advertising materials for the “Caravan” exhibition series at the Aargauer Kunsthaus consists of communicating an unfinished exhibition. For our concept, we use the artist’s work approaches, fragments of inspiration and thoughts. Thus the flyer becomes a preview of the artist’s idea and acts as a link between art, artist and viewer. The design refers to the classic exchange of letters and the working mechanism of a folder.
Identity, various promotional material, animation
2019–2020
Christina Omlin, Head of communication / media
Köpflipartners AG, Neuenhof
Mogelsberg Grotesk CARAVAN (Data-Orbit)
Corporate design, web design
2020
Engelberger Druckerei AG
Olivier Hug, Bänziger Hug
2019–2021
Type design
on request
Based on a poster sketch by the artists, we designed a communication and signage concept for the “Bricolage” exhibition in the Historical and Ethnological Museum of St.Gallen. The design uses the workings of bricolage (solving problems with the available resources). So, instead of working out the existing collage, we decided to make a poster series out of the layer masks of the corresponding Photoshop file. It refers to the working methods of the artist team, which referred to the exhibited masks from the archives of the museum. This mechanism of unmasking shapes the overall design.
Identity, poster, various promotional material,
animation, signage
2019
Achim Schäfer, Michael Elsner
100 best posters Germany, Austria, Switzerland 2019
Niedermann Druck AG (Poster)
Köpfli Partners (Flyer)
Werk Grotesk Bold (Data-Orbit)
Corporate design, poster, animation
2020
As namesake for the region, the Rhine is fed from the inflows of the numerous tributaries and village streams. Thus, we understand the book as an overall current which receives its strength and accessibility through the inflow of imagery, navigation elements and types of text. The book draft can be captured from beginning to end as well as fragmentarily. This is made possible by an alternative navigation and linking system which makes the various contents accessible in temporal, geographical and thematic order.
Book design, photography
2019
Werk Grotesk Bold (Data-Orbit),
JJannon (Francois Rappo, Optimo)
Our concept for the new appearance of the graduation show deals with the moment of transition, the start of a new chapter. We consider the university diploma as a “ticket to the future”. Therefore, we refer to elements of ticket design systematically and visually and develop a variable design concept.
Identity, various promotional material, animation, signage
2019
David Walsh, graphic design and industrial design
Greta Grashorn, Tommy De Monaco, Stefan Kreysler
Brander Siebdruck, Grafitec (poster)
Engelberger Druck AG (other promotional material)
Werk Grotesk: Regular, Bold and Mono
(Fabio Menet, Data-Orbit)
Visual Communication ZHdK: Jonas Vögeli, Rebecca Morganti-Pfaffhauser
Campaign, web design, various promotional material, animation
2019
Knecht Grotesk, Gordula (Fabio Menet, Data-Orbit)
Book design
2018
Yasmin Afschar, Katrin Weilenmann
For the general identity and the website, we focused on the viewer’s individual approach to the exhibited artworks. Therefore, he or she seeks his or her own way through the page. During the visit all decisions are recorded in the form of a protocol. This leads to a website that is created by the user’s individual decisions and documents his or her path to the sought information.
Identity, web design, various promotional material
2018
Yasmin Afschar, Katrin Weilenmann
Visual Communication ZHdK: Daniel Stutz, Samuel Weidmann, Claudio Gasser
Daniel Stutz, Samuel Weidmann