Visual Identity for None Whatsoever: Zen Paintings from the Gitter Yelen Collection at Japan Society, New York. In the screen-printed exhibition graphics the content is segmented onto long strips of paper. Similar to the process of a Zen painting, the predefined format serves as a starting point for the design. In order to visually pick up on the dynamics of spontaneous brushwork, solvent is sprayed directly onto the screen so that the paint runs partially.

Services: Exhibition Communication Design
In collaboration with Ransmeier Inc. and David Walsh
Year: 2024
Curation: Tiffany Lambert
Printing: Brander Siebdruck
Photography NYC: Naho Kubota